VISUAL-POETRY
the reading room — every file of the seat, direct
| file | kind | size |
|---|---|---|
| MANIFEST.sha256 | sha256 | 1 KB |
| source.json | data (JSON) | 6 KB |
| original/calligrammespo00apol/calligrammespo00apol_bw.pdf | scan (PDF) | 5,694 KB |
| original/calligrammespo00apol/calligrammespo00apol_djvu.txt | text | 121 KB |
| original/gutenberg-55569.txt | text | 141 KB |
| original/optatianus-porphyrius-panegyricus/Optatianus_Porphyrius,_Panegyricus.pdf | scan (PDF) | 1,269 KB |
| original/optatianus-porphyrius-panegyricus/Optatianus_Porphyrius,_Panegyricus_djvu.txt | text | 66 KB |
| original/uncoupdedsjamai00mallgoog/uncoupdedsjamai00mallgoog.pdf | scan (PDF) | 239 KB |
| original/uncoupdedsjamai00mallgoog/uncoupdedsjamai00mallgoog_djvu.txt | text | 12 KB |
| text/apollinaire-calligrammes-1918-scan.ocr.txt | text | 121 KB |
| text/apollinaire-calligrammes-1918-text.txt | text | 117 KB |
| text/mallarme-un-coup-de-des-1914.ocr.txt | text | 12 KB |
| text/optatianus-porphyrius-panegyricus.ocr.txt | text | 66 KB |
provenance
edition · Publilius Optatianus Porfyrius, Panegyricus Constantino Augusto dictus — the carmina cancellata (grid poems with an inner text picked out in the lattice); scan, edition unidentified in the item's metadata; Stéphane Mallarmé, Un coup de dés jamais n'abolira le hasard: poème (1914; first in Cosmopolis, 1897) — scan; the page spread is the text; Guillaume Apollinaire, Calligrammes: poèmes de la paix et de la guerre (1913–1916) (Paris: Mercure de France, 1918) — scan; the figured poems are the text; Guillaume Apollinaire, Calligrammes (1918) — Project Gutenberg transcription, with the figured poems as images
license · payload: Public domain: Optatianus (4th c.), Mallarmé d. 1898, Apollinaire d. 1918; scans of public-domain volumes (Internet Archive); Project Gutenberg packaging under the PG licence. The edition of Optatianus behind the Internet Archive scan is not named in its metadata: recorded as unidentified, pending a reading of the scan's front matter. · record: CC-BY-4.0 applies to this seat record only.
origin · @
why seated · The concrete poets, as far back as the public domain reaches. A poem whose layout is part of its meaning cannot be seated as running text alone, so this seat carries the scans.