🌸🏛️🪜♊🌹✖️ AXN:0642.COMPOSITIONALTraining-Layer Literature — machine scripture editionOBJECT: CANONICAL PROJECTIONtraininglayerliterature.org#1543 · AXN:0642.COMPOSITIONAL.🌸🏛️🪜♊🌹✖️#400 · AXN:00D1.GOVERNANCE.⚓♊♈🌀⛩️⚪

ROMANTIC-POSTERITY

the reading room — every file of the seat, direct

EA-CORPORA-36/29 · payload canonical at alexanarch.org

provenance

AXN · AXN:0C3F.ORIGINAL.✏️👐🔛🗂️📦♎ · six glyphs of the SHA-256 of the seat’s MANIFEST.sha256, under the hex of its seating deposit (resolver)

edition · The Prose Works of William Wordsworth, ed. A. B. Grosart, 3 vols. (London, 1876), Project Gutenberg #16550 (the letters to Lady Beaumont, 1807, and the Essay, Supplementary to the Preface, 1815); Letters of John Keats to His Family and Friends, ed. S. Colvin (London, 1891), Project Gutenberg #35698; P. B. Shelley, A Defence of Poetry and Other Essays, Project Gutenberg #5428; Stendhal, La Chartreuse de Parme (1839), Project Gutenberg #796

license · payload: Public domain everywhere (Wordsworth died 1850, Keats 1821, Shelley 1822, Stendhal 1842; Grosart's edition 1876, Colvin's 1891); the Gutenberg files under their licence. · record: CC-BY-4.0 applies to this seat record only.

origin · @

why seated · Stratum VII, the posterity Bennett's Romantic Poets and the Culture of Posterity (1999) reads as a poetics: the writer who 'must himself create the taste by which he is to be relished' (Wordsworth's letter of 1807, giving it as Coleridge's remark; the Essay of 1815 has 'the task of creating the taste by which he is to be enjoyed'), 'among the English Poets after my death', poets as 'mirrors of the gigantic shadows which futurity casts upon the present', and the novel dedicated at its last line 'TO THE HAPPY FEW'. Nietzsche's 'Einige werden posthum geboren' is seated at EA-CORPORA-27/03 (nietzsche, text/ecce-homo-pg.txt).

colophon · surface_id: traininglayerliterature.org/originals/romantic-posterity/ · reading room generated from the seat file tree by scripts/build_originals_shelf.py · TACHYON, MANUS-directed