FUTURISM
the reading room — every file of the seat, direct
provenance
edition · I manifesti del futurismo, lanciati da Marinetti, Boccioni, Carrà, Russolo, Balla, Severini, Pratella, Mme de Saint-Point, Apollinaire, Palazzeschi (Milano: Movimento futurista, n.d.; the manifestos dated 1909–1913, the first the Figaro manifesto of 20 February 1909); F. T. Marinetti, Distruzione: poema futurista, tr. Decio Cinti (Milano: Edizioni futuriste di Poesia, 1911); F. T. Marinetti, Zang Tumb Tuuum: Adrianopoli ottobre 1912, parole in libertà (Milano, 1914) — scan with text layer; F. T. Marinetti, Emilio Settimelli, Bruno Corra, Teatro futurista sintetico (Piacenza: Ghelfi, for the Istituto editoriale italiano, Biblioteca teatrale n. 10, 1921) — the synthetic theatre of 1915–16, in its 1921 collected printing; Aldo Palazzeschi, L'Incendiario, col rapporto sulla vittoria futurista di Trieste (Milano: Edizioni futuriste di Poesia, 1910); Corrado Govoni, Rarefazioni e parole in libertà (1915) — scan; the visual tables are the text; Пощечина общественному вкусу [A Slap in the Face of Public Taste] (Москва, 1912; dated 1913 in the item): Д. Бурлюк, Н. Бурлюк, А. Крученых, В. Кандинский, Б. Лившиц, В. Маяковский, В. Хлебников; Футуристы. Рыкающий Парнас [The Roaring Parnassus] (Санкт-Петербург, 1914): Маяковский, Игорь Северянин, Хлебников and others; drawings by Д. Бурлюк, Иван Пуни, Павел Филонов, О. Розанова; Владимир Маяковский, Владимир Маяковский: трагедия (Москва, 1914), drawings by Vladimir and David Burliuk; Владимир Маяковский, Облако в штанах [A Cloud in Trousers] (1915) — Russian Wikisource text, after Полное собрание сочинений в 13 т. (Москва, 1955–1961); Владимир Маяковский, Простое как мычание (Петроград: Парус, 1916); Владимир Маяковский, Война и мир (Петроград: Парус, 1917); Владимир Маяковский, Про это (Москва–Петроград: Госиздат, 1923), with photomontage cover and illustrations; Велимир Хлебников, Время мера мира (Петроград, 1916); Велимир Хлебников, Заклятие смехом [Incantation by Laughter] (Студия импрессионистов, 1910) — Russian Wikisource text, after Творения (Москва, 1986); Велимир Хлебников, «Бобэоби пелись губы» (Пощечина общественному вкусу, 1912) — Russian Wikisource text; Алексей Кручёных, «Дыр бул щыл» (Помада, 1913) — Russian Wikisource text; Blast: Review of the Great English Vortex, No. 1, ed. Wyndham Lewis (London: John Lane, 20 June 1914) — scan with text layer
license · payload: Public domain in the United States: every printed item published 1909–1923. EU status varies by author and is stated per item: PD-EU — Marinetti (d. 1944), Khlebnikov (d. 1922), Mayakovsky (d. 1930), Kandinsky (d. 1944); NOT PD-EU — Palazzeschi (d. 1974), Govoni (d. 1965), Corra (d. 1976), the Burliuks (D. d. 1967), Kruchenykh (d. 1968), Wyndham Lewis (d. 1957 → 2028). Payload/record split per EA-CORPORA-02/01. Wikisource transcriptions CC BY-SA 4.0 over public-domain texts; their source editions are named. · record: CC-BY-4.0 applies to this seat record only.
origin · @
why seated · The movement that put the word on the page as an object. Parole in libertà and zaum are the two ends of the operation the archive calls a constructed language: Marinetti's typography makes the sentence a field; Kruchenykh's 'дыр бул щыл' makes a word that answers to nothing before it.