AVANT-GARDE-II
the reading room — every file of the seat, direct
provenance
AXN · AXN:0A9F.ORIGINAL.👆🔖■🏰🪜🌹 · six glyphs of the SHA-256 of the seat’s MANIFEST.sha256, under the hex of its seating deposit (resolver)
edition · F. S. Flint, “Imagisme”, Poetry: A Magazine of Verse 1.6 (March 1913), 198–200 — JSTOR Early Journal Content via the Internet Archive, scan and OCR layer; Ezra Pound, “A Few Don'ts by an Imagiste”, Poetry 1.6 (March 1913), 200–206 — JSTOR Early Journal Content via the Internet Archive, scan and OCR layer; William Carlos Williams, Kora in Hell: Improvisations (Boston: Four Seas, 1920), with the Prologue — scan and OCR layer; Richard Huelsenbeck, En avant Dada: Eine Geschichte des Dadaismus (Hannover: Paul Steegemann, 1920; Die Silbergäule 50/51) — scan and OCR layer; La Révolution surréaliste, no. 1 (Paris, 1 December 1924), with Boiffard, Éluard and Vitrac's preface and the dream and automatic texts — OCR layer; La Révolution surréaliste, no. 12 (Paris, 15 December 1929), with André Breton's Second manifeste du surréalisme — OCR layer; Борис Арватов, «Речетворчество (По поводу „заумной“ поэзии)», ЛЕФ 1923, № 2 (Boris Arvatov, Speech-Creation: On 'Transrational' Poetry) — Russian Wikisource; 胡適〈文學改良芻議〉 (Hu Shi, Some Modest Proposals for the Reform of Literature), 新青年 2.5 (1 January 1917) — Chinese Wikisource; 陳獨秀〈文學革命論〉 (Chen Duxiu, On Literary Revolution), 新青年 2.6 (1 February 1917) — Chinese Wikisource; 胡適〈談新詩（八年來一件大事）〉 (Hu Shi, On New Poetry), 星期評論 (10 October 1919) — Chinese Wikisource; Paulo Prado, “Poesia Pau Brasil”, preface to Oswald de Andrade, Pau Brasil (Paris: Au Sans Pareil, 1925) — Portuguese Wikisource
license · payload: Per item, recorded in origin.items. All items were first published 1913–1929 and are in the public domain in the United States (published before 1930, or before 1931 for the 1929–1930 items, their term of 95 years run). JSTOR Early Journal Content is free of known restrictions; Wikisource pages CC BY-SA 4.0 for the site's contributions. Two French items are surrealist periodicals whose authors' terms still run in France: seated under United States public domain, the archive's jurisdiction. · record: CC-BY-4.0 applies to this seat record only.
origin · @
why seated · At the author's direction to go 'deeper into the experimentalist dada surrealist etc' within the pluriform ars poetica bundle.