ARTAUD
the reading room — every file of the seat, direct
| file | kind | size |
|---|---|---|
| MANIFEST.sha256 | sha256 | 1 KB |
| source.json | data (JSON) | 5 KB |
| original/la-nouvelle-revue-francaise_1924-09-01_11_132/la-nouvelle-revue-francaise_1924-09-01_11_132.pdf | scan (PDF) | 8,012 KB |
| original/la-nouvelle-revue-francaise_1924-09-01_11_132/la-nouvelle-revue-francaise_1924-09-01_11_132_djvu.txt | text | 279 KB |
| original/lartetlamort00arta/lartetlamort00arta.pdf | scan (PDF) | 16,622 KB |
| original/lartetlamort00arta/lartetlamort00arta_djvu.txt | text | 63 KB |
| text/art-et-mort-1929-scan.ocr.txt | text | 63 KB |
| text/nrf-1924-09-scan.ocr.txt | text | 279 KB |
provenance
AXN · AXN:072F.ORIGINAL.♉○🕖♣️👋🛤️ · six glyphs of the SHA-256 of the seat’s MANIFEST.sha256, under the hex of its seating deposit (resolver)
edition · La Nouvelle Revue française, vol. 11 no. 132 (Paris, 1 September 1924), with Antonin Artaud's correspondence with Jacques Rivière, its first printing; periodical scan; Antonin Artaud, L'Art et la mort (Paris: Robert Denoël, 1929) — the first edition; University of Illinois copy
license · payload: Public domain in the United States: every item was first published in 1930 or earlier, and every author died more than seventy years ago (Spinoza 1677, Leibniz 1716, Nietzsche 1900, Bergson 1941, Kafka 1924, Artaud 1948). Internet Archive scans of public-domain volumes; Project Gutenberg transcriptions under the Project Gutenberg License, whose header each file carries. · record: CC-BY-4.0 applies to this seat record only.
origin · @
why seated · MANUS, 27 October 2026, after the twenty-sixth seating: "deleuze and guattari... no way around that copyright, huh?" Told that every route through it is closed for decades, and offered a declared absence for them and the open sources they read: "yes - i cant believe we havent seated spinoza yet. yes to all" — and "and leibniz' monodology only". Artaud is seated as the source of the body without organs, which Deleuze and Guattari take from him in L'Anti-Œdipe (1972) and Mille plateaux (1980, plateau 6).