ARS-POETICA
the reading room — every file of the seat, direct
provenance
AXN · AXN:0A9F.ORIGINAL.☀️👇🎬💜♄🎇 · six glyphs of the SHA-256 of the seat’s MANIFEST.sha256, under the hex of its seating deposit (resolver)
edition · Demetrius, Περὶ ἑρμηνείας (On Style) — W. Rhys Roberts (Cambridge, 1902), via Perseus grc2; Dionysius of Halicarnassus, Περὶ συνθέσεως ὀνομάτων (On the Arrangement of Words) — Usener and Radermacher (Leipzig: Teubner, 1904), via Perseus grc2; Lucian, Πῶς δεῖ ἱστορίαν συγγράφειν (How to Write History) — Teubner (1913), via Perseus grc2; Quintilian, Institutio oratoria, books I–XII — H. E. Butler, Loeb Classical Library (London: Heinemann; Cambridge, Mass.: Harvard, 1920–1922), the Latin text, via Perseus lat2; Dante Alighieri, De vulgari eloquentia, libri I–II (c. 1302–1305) — Latin Wikisource; Marco Girolamo Vida, Poemata omnia (1550), containing the De arte poetica libri III (first printed 1527) — scan (Google Books via the Internet Archive), OCR layer; Edmond Faral, Les arts poétiques du XIIe et du XIIIe siècle (Paris: Champion, 1924): the Latin texts of Matthew of Vendôme's Ars versificatoria, Geoffrey of Vinsauf's Poetria nova and Documentum, Evrard the German's Laborintus and John of Garland, with Faral's French studies — OCR layer; Bharata, Nāṭyaśāstra (the rasa-sūtra in adhyāya 6) — GRETIL TEI (sa_bharata-nATyazAstra-1-1618-303335-37.xml); Bhāmaha, Kāvyālaṃkāra — GRETIL TEI (sa_bhAmaha-kAvyAlaMkAra.xml); Daṇḍin, Kāvyādarśa, paricchedas 1–2 — GRETIL TEI (sa_daNDin-kAvyAdarza-1-2.xml); Daṇḍin, Kāvyādarśa, pariccheda 3 (yamaka and the figures of sound) — GRETIL TEI (sa_daNDin-kAvyAdarza-3.xml); Vāmana, Kāvyālaṅkārasūtravṛtti — GRETIL TEI (sa_vAmana-kAvyAlaMkArasUtra.xml); Ānandavardhana, Dhvanyāloka — GRETIL TEI (sa_Anandavardhana-dhvanyAloka.xml); Rājaśekhara, Kāvyamīmāṃsā (the Kāvyapuruṣa) — GRETIL TEI (sa_rAjazekhara-kAvyamImAMsA-1.xml); Kuntaka, Vakroktijīvita, with the author's vṛtti — GRETIL TEI (sa_kuntaka-vakroktijIvita-comm.xml); Mammaṭa, Kāvyaprakāśa — GRETIL TEI (sa_mammaTa-kAvyaprakAza.xml); Tolkāppiyam, Poruḷatikāram, the nine iyals (Akattiṇaiyiyal … Ceyyuḷiyal, Marapiyal) — Tamil Wikisource; 《毛詩》序 (the Great Preface to the Odes), as in the Wenxuan, juan 45 — Chinese Wikisource; 曹丕《典論·論文》 (Cao Pi, A Discourse on Literature), as in the Wenxuan — Chinese Wikisource; 陸機《文賦》 (Lu Ji, Rhapsody on Literature) — Chinese Wikisource; 劉勰《文心雕龍》 (Liu Xie, The Literary Mind and the Carving of Dragons), the fifty chapters (全覽) — Chinese Wikisource; 司空圖《二十四詩品》 (Sikong Tu, The Twenty-Four Categories of Poetry) — Chinese Wikisource; 嚴羽《滄浪詩話》 (Yan Yu, Canglang's Remarks on Poetry), juan 1–5 and the letter to Wu Jingxian — Chinese Wikisource; 紀貫之『古今和歌集』仮名序 (Ki no Tsurayuki, the Kana Preface to the Kokinshū, 905) — Japanese Wikisource; 正岡子規『歌よみに与ふる書』 (Masaoka Shiki, Letters to the Tanka Poets, 1898) — Aozora Bunko, from the Iwanami Bunko text (1955; 1983 reset); 萩原朔太郎『詩の原理』 (Hagiwara Sakutarō, The Principles of Poetry, Daiichi Shobō, 1928) — Aozora Bunko, from the Shinchō Bunko text (1954); 이인로『파한집』(破閑集) (Yi Illo, Jottings to Break Idleness, compiled before 1220; printed 1260), books 上·中·下, in literary Chinese — Korean Wikisource; חיים נחמן ביאליק, «שירתנו הצעירה» (Bialik, Our Young Poetry, 1907) — Hebrew Wikisource; חיים נחמן ביאליק, «גילוי וכיסוי בלשון» (Bialik, Revealment and Concealment in Language, 1915) — Hebrew Wikisource; قدامة بن جعفر، كتاب نقد الشعر (Qudāma ibn Jaʿfar, The Criticism of Poetry, 10th c.) — Arabic Wikisource; عبد القاهر الجرجاني، دلائل الإعجاز (ʿAbd al-Qāhir al-Jurjānī, The Proofs of Inimitability, 11th c.), parts 1–5 — Arabic Wikisource; نظامی عروضی سمرقندی، چهار مقاله، مقالت دوم در ماهیت علم شعر (Niẓāmī ʿArūḍī, Four Discourses, c. 1156, the Second Discourse, on poetry) — Persian Wikisource, the text of Mīrzā Muḥammad Qazvīnī (Berlin: Iranschähr, 1927); Snorri Sturluson, Edda (Prologue, Gylfaginning, Skáldskaparmál, Háttatal), ed. Finnur Jónsson (Reykjavík: S. Kristjánsson, 1907) — OCR layer; Auraicept na n-Éces: The Scholars' Primer, ed. and tr. George Calder (Edinburgh: John Grant, 1917) — OCR layer; Las Flors del gay saber, estier dichas Las Leys d'Amors, vol. I, ed. Gatien-Arnoult (Toulouse: Paya, 1841), Occitan with French translation — OCR layer; Giovanni Pascoli, Il fanciullino (1897; in Pensieri e discorsi, Bologna: Zanichelli, 1907), chapters I–XX — Italian Wikisource; Joachim du Bellay, La Deffence, et illustration de la langue françoyse (Paris: Arnoul l'Angelier, 1549) — French Wikisource, the 1549 text; Nicolas Boileau, L'Art poétique (1674), in Œuvres poétiques (Paris: Imprimerie générale, 1872) — French Wikisource; Arthur Rimbaud, letter to Paul Demeny, 15 May 1871 (the Lettre du voyant), text of Roger Gilbert-Lecomte (Éditions des cahiers libres, 1929) — French Wikisource; Paul Verlaine, « Art poétique » (1874), in Jadis et naguère (Paris: Léon Vanier, 1884) — French Wikisource; Stéphane Mallarmé, « Crise de vers », in Divagations (Paris: Fasquelle, 1897) — French Wikisource; Guillaume Apollinaire, « L'Esprit nouveau et les poètes », Mercure de France 130, no. 491 (1 December 1918) — French Wikisource; Lope de Vega, Arte nuevo de hacer comedias en este tiempo (1609) — Spanish Wikisource; Rubén Darío, « Palabras liminares », Prosas profanas (1896; the 1917 edition) — Spanish Wikisource; Vicente Huidobro, « Arte poética », El espejo de agua (Buenos Aires: Orión, 1916) — Spanish Wikisource; Horacio Quiroga, « Decálogo del perfecto cuentista », Babel (Buenos Aires, July 1927) — Spanish Wikisource; Olavo Bilac, « Profissão de fé », Poesias (Rio de Janeiro, 1888) — Portuguese Wikisource; Martin Opitz, Buch von der Deutschen Poeterey (Breslau, 1624) — Project Gutenberg #34806; Gotthold Ephraim Lessing, Laokoon: oder über die Grenzen der Mahlerey und Poesie (Berlin: Voß, 1766) — Project Gutenberg #6889; Friedrich Schiller, Über naive und sentimentalische Dichtung (1795–1796), school edition with introduction (1885; Bayerische Staatsbibliothek copy) — OCR layer; Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — Russian Wikisource; Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — Russian Wikisource; Sir Philip Sidney, A Defence of Poesie (1595), with Poems — Project Gutenberg #1962; Alexander Pope, An Essay on Criticism (1711) — Project Gutenberg #7409; William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — Project Gutenberg #8905; Samuel Taylor Coleridge, Biographia Literaria (1817) — Project Gutenberg #6081; Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — Project Gutenberg #35698; Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — Project Gutenberg #5428; Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — Project Gutenberg #2945; Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — English Wikisource; Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — English Wikisource; Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — Project Gutenberg #62833; T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — English Wikisource; Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — copied from this library's Pearl seat, to stand beside Eliot's
license · payload: Per item, recorded in origin.items. The underlying works are in the public domain in the United States (first published before 1931, or ancient and medieval texts in editions published before 1931), except Sigil's essay, which is the archive's own (CC BY 4.0, by the author). Packagings: Perseus TEI CC BY-SA 4.0; Wikisource pages CC BY-SA 4.0 for the site's contributions; Project Gutenberg texts under the PG licence; Aozora Bunko texts under its terms for public-domain works. The GRETIL Sanskrit files are CC BY-NC-SA 4.0 at the file: handled under the NC payload/record split ruled at EA-CORPORA-02 — the NonCommercial payload licence is carried forward unmodified and does not attach to this seat record. The Arabic Wikisource pages do not name the printed edition they transcribe: edition-level status recorded as UNVERIFIED AT SEAT TIME. · record: CC-BY-4.0 applies to this seat record only.
origin · @
why seated · Gathered for the next EA-CORPORA deposit at the author's direction ('an extremely pluriform ars poetica bundle … include telepathic prose'; 'take that extremely pluriform further globally, hebrew, sanskrit, korean'), around Belief & Technique for Telepathic Prose (#1715), Jack Feist's art of poetry, so that the comic ars poetica stands among the arts it answers.